I find myself mesmerized by the process as each step is carefully, yet quickly, completed. Noticing the bare hands, I wonder how many burns occur during a typical work week. I know I would need a first aid kit within close proximity.
I had no plans of creating the final composite product when I shot these images, but sometimes things just develop and ideas flow. Hmmm. What if…?
Three rambunctious boys ride their scooters down my driveway.Swap images in to add their sister and improve expressions. Add a colorful sky scene I captured in the Pyrenees back in 2014 (Looks like the South Dakota hills). Road dust colored in by using Photoshop brushes and finished it off with Topaz edits.Final product: The Dusty Sunset Gang!
It takes a little bit of crazy to ride those bulls!
Image captured during the 2017 Gary Rodeo located on the west edge of Gary, South Dakota.
Fences may separate us, but beauty remains.
Line up the left side – click – hold level and move right with at least 25 per cent overlap – click.
In Photoshop CC 2017: file – automate – photomerge – browse and select your images – check blend images together – I also checked perspective and content aware fill transparent areas – click O.K.
This gave me the background images. I then used select – select and mask to bring in the foreground subject.
Finished it off with Topaz edits and some lightning using Photoshop brushes I found free (Brusheezy!?).
BOOM!! GO LANCERS!
Short video of our hiking adventures along the north shore of Lake Superior.
Yep…Randy experienced yoga along the beautiful shores of Lake Superior, kind of sort of.
Available light photography is a perfect way to capture many portraits, but sunset is not a time to utilize this option. Without flash you either have a silhouette or muddy skin tones along with a blown out sky. Solution? Add a flash to bring out the details. On this portrait I used a Canon speed light 580ex2 flash off camera, a cybersyc flash trigger along with a Canon 580 ex2 with a Gary Fong diffuser on camera for a little fill.
ISO 100/ F8 aperture at 1/250th shutter to maintain detail and color in the sky.