Hay mow (or, hay loft) basketball is a foreign concept to many young, up and coming basketball players these days. Back in the day when big red barns were more of a farm standard, the hay mow was the closest thing young people had to basketball skills camp. I’m sure the reffing was questionable and rules may have been bent, adapted or even eliminated. How did they ever survive?
This lucky young man along with his siblings and cousins have spent many hours playing basketball in this hay mow. Memories made and life lessons learned.
What are YOUR memories of games or shenanigans in the hay mow?
A prime lens has just one focal length (in contrast to a zoom lens that covers a wider range of lengths).
Back in the day I used prime lenses while shooting with medium format film cameras, but the digital world has found me using zoom lenses exclusively for several years.
Why would I want a prime lens when I could have a zoom that covers a variety of lengths? Easy answer – money. In the midst of downsizing equipment, I’ve found myself in need of an affordable lens to go on an older body. Quality and price are both factors and the Canon EF 50mm f/1.8 STM seemed to fit the bill. My other lenses open to 2.8, so having a faster lens at 1.8 could be interesting. Maybe I’ll reinvent myself as a low light street photographer – you never know.
So, at sunset I took my new little lens to our nearby slough to try it out… pretty much straight out of camera except for tweaking exposure.
Used this 50mm lens while trying out a DIY beauty dish, of sorts, with equipment I already had on hand – cheap $37 slave that screws into a regular light socket inside a silver chick warmer. Not much for catch lights, but kind of worked.
Price for this handy little lens? $125 – much less than the $1600 price tag for a new 24-70 Canon 2.8 zoom. While I like the lens for stationary subjects, I did find the autofocus slow when trying to capture moving subjects.
It was getting towards dusk and the plan was to light the subject from both sides, but it was at the end of the session and the batteries were getting tired. Hence, one flash fired and the other didn’t. After looking through the images I decided this one was worth saving after all. I’m a sucker for drama.
Canon 5D Mark 3, 580 EX 2 speedlight, 3.0 at 1/125, ISO 400
Wedding dance images are always a favorite since the day is coming to a close and the stress is now gone. Time to relax and enjoy the moment. Add a Canon 580 EX2 off camera flash plus another 580 EX2 on camera bounced off the ceiling synced with Cybersync radio triggers and let the emotions flow.
May you continue the pursuit of happiness and sometimes pause to just be happy.